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Michael gets his chance when his new girlfriend, Ellie Thomsen (Hayley Mills), turns out to be an extremely wealthy heiress.

The two are wed and are soon living in a modern house on Gipsys Acre.

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Their idyllic life shatters around them with a series of bizarre events and threats.

Micheal comes under the disapproving eye of Ellies greedy family and her interfering best friend Greta (Britt Ekland).

What danger lurks for the young newlyweds, and is it a human plot or something supernatural.

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I clicked on the IMDb and Amazon to learn more about the production and found that there had been a 1971 movie which hewed more closely to the original.

Its interesting to see how different script writers turned and twisted the basic story lines and how the movies surprised and shocked the viewer.

I wont repeat the comments that have already been said on this forum about this 71 film, but I will emphasize the value of seeing the opening minutes again to pick up fat clues that might be missed on first viewing -- the footsteps heard in the Van Gogh museum and the statement of the mother later that her son had experienced something significant.

The movie just seems to sail along making one wonder what the mystery is, what the crime was, until the revelations that suddenly come toward the end.

Talk about the technique of the unreliable narrator in mystery stories By the way, Jon Tuska in his great critical work THE DETECTIVE IN Hollywood casually dismisses this movie as not very good.

Hes wrong.

Endless Night was made by British Lion at around the same time as these better-known films; accordingly, its the least Agatha Christie-ish Agatha Christie youll ever see.

A definite tinge of Hitchcock in some sequences, and Bernard Hermanns weird, eerie music helps.

There are some nice, eerie, disjointed flashbacks and some strange and sinister dreamy sequences.

Hayley Mills gives life to a bland character, lumbered with an iffy accent and someone elses singing voice.

The house, Gypsys Acre, is a real Bond Villains Lair: a monstrosity of hidden swimming pools and groovy furniture.

The storytelling gets a bit unclear at the end, where it is clearly stated that one character did not exist and is merely specifically employed to scare and unsettle people.

Poison is the cause of death of a character, but not mentioned by the coroner.